Archive for Antiques – Furniture

Ever Heard of a Tablebord?

No? Neither had we. It would seem to qualify as a predecessor to the well-known harvest table. While doing some research for an article I plan to write, I came across a “tablebord.” The first known one in the United States dates back to 1642. However, the name itself dates back at least 100 years before that and is most likely English.

I wish I could provide a picture of a true tablebord but I have yet to find one. It is documented that one exists and was part of the Bolles collection, having been rescused from the attic of a deserted house. Much of the Bolles collection resides today in the Metropolitan Museum of Fine Arts. There are some similarities to the table pictured below and a real tablebord, but age isn’t one of them. This table is old but it is not from the 15th century.

A tablebord was usually between ten to twelve feet in length and rougly a little over 2 feet wide. The table top was separate from the trestles on which it sat, usually three of them. A long bench of some sort was used on one side. This is where everyone in the family sat. There was no bench on the opposing side. That side of the table was strictly used for the serving of food and the subsequent cleanup. When it was not in use, the top board was removed and the board was leaned against a wall, along with the trestles. This allowed families living in tight quarters back in the 1600s to eat in comfort.

Something that still doesn’t happen in my house at the end of 2011. So much for progress.

12/26/2011 by Anne Benedetto

Craftsman Furniture by Gustav Stickley

The wonderful furniture we know as Craftsman was developed by Gustav Stickley beginning around 1898. His designs were influenced by William Morris (the Morris Chair) who was responsible for the Arts and Crafts Movement in England. I wonder how Gustav Stickley would feel if he knew one of his bookcases would some day sell for $361,000 at Sotheby’s. Already in business for over 100 years when Stickley started making his furniture, Sotheby’s would go on to sell this piece in December of 2007.

Craftsman furniture is strikingly functional in design and void or all ornamentation. The sturdiness of a Stickley piece and the beauty of the wood itself is what made it so appealing, and it is still just as appealing today. Almost all Craftsman furniture was made of solid oak, much of it American white oak.

The structurall style of mortise and tenon joints was the mainstay of most of Stickley’s creations. Earlier pieces were massive in size but this was somewhat toned down when Stickley partnered with architect and designer Henry Ellis, on or about 1903. Ellis died in 1904 but his short association with Stickley had a profound affect on future Stickley designs. Gustav Stickley ended up bankrupt in 1916 but not his furniture. That has lived on and his Craftsman style, also referred to as Mission Style, is in much demand still today.

Gustav’s younger brothers, Leopold and J. George, established their own Arts & Crafts furniture business just a few years after their big brother. They operated as L. & J.G. Stickley and they were located in New York, just like Gustav. The L. & J.G. Stickley Company is still in business today and the furniture they make includes reproductios of the original Arts & Crafts designs.

Gustav Stickley’s introduction to the furniture business came in 1876 when he took a job at his uncle’s chair factory. When he began his own business, he sold much of his product to the public directly through catalogs. His brothers did the same. Reprints of the fabulous catalogs produced by both companies can be purchased today. The illustrations are outstanding.

The names of the catalogs are “Craftsman Furniture Made by Gustav Stickley” and “The Works of L. & J.G. Stickley.” Stickley himself referred to his designs as “the first original expression of American thought in furniture.” Craftsman today is considered an authentic period of American furniture.

Born in Wisconsin, Gustav Stickley died at the age of 84 in 1942. His contribution to American furniture really can’t be measured.

10/11/2011 by Anne Benedetto

Mixing Antiques with Modern Furnishings

Just because you collect antiques doesn’t mean you have to live in “Grandma’s house.” Home decor has come a long way, and can help bridge yesterday and today, but your antiques will shine in your home if you space plan correctly.

Space planning is the art of placing items to best accentuate your room. Talented interior designers and decorators know the importance of how the eye travels and the way people interpret a room as a whole. For instance, when you walk into a room, your eyes will always travel from left to right and then ceiling to floor.

Select a single antique to adorn a hallway or entryway. If you have a Bombay chest, a writing desk or a similar piece, this can be a great place to showcase it. Use home accessories to bring this piece into the 21st century by mounting stainless steel frames with simple lines on the wall above it, or by placing a glass vase on your beloved historic piece.

Mix two gilded gold-framed antique sitting chairs into your modern living room by placing them on one side and adding items from the same era on the other side of the room. Additionally, add the gilded gold as a finish in your space. Use it on framed art or perhaps add an accent table with a gilded gold top. As your eye travels around the room, you will visually connect your antiques in your modern space, and your room will just make sense. It’s all about balance.

Perhaps you have an antique settee and you don’t know what to do with it. First of all, if you really want to live with your antique get it reupholstered by a professional. If your seat cushion is sectioned, have it modernized with a single cushion. Use color to bring it up-to-date as well. Use pillows in a coordinating fabric in your room to help integrate your piece. If the finish on the frame is not in great condition, and cannot be restored, consider painting it a bright modern color, like magenta.

Of course, consult with an antique dealer before you modify anything that could permanently alter your piece. The goal is for your piece to integrate into your home’s decor but keep it’s integrity as much as possible. Whether you keep it in your family or sell it to the highest bidder at auction, your piece is a part of history.

Find a wide range of home accessories like wall art, wall hangings and more, visit ArcadianHomeDecor.com — a place that offers home accessories in one convenient place.

Article Source: http://EzineArticles.com/?expert=Summer_Azria

Doesn’t Anyone Eat, Sleep or Sit Anymore?

Furniture is definitely “not hot.” It’s actually pretty ice cold. I can’t speak for anywhere else in the country, but here in Florida no one wants furniture of any kind. Auction after auction, I see beautiful antique furniture go out the door for next to nothing.

When Dick and I were antique dealers 14 years ago, we had to pay from $800 to $1000 for a vintage mahogany dropfront open pediment secretary. Now they are bringing between $80 and $100. We used to be able to resell these in the mall way back when for $1600 to $1800. I haven’t been to many malls recently so I have no idea what they are bringing now but it can’t be much.

Mahogany, which was always the post popular wood, now goes for the least money. Today, beautiful bedroom sets, dining room sets and all sorts of accent pieces aren’t bringing anymore that the value of a couple of baseball tickets near first base. Don’t get me wrong, I love baseball but I would readily give up a couple of good seats for a beautiful 5-piece mahogany bedroom set any day of the week and twice on Sunday.

08/23/2011 by Anne Benedetto

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